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It almost puts Mel Gibson into a kind of insane-genius league, not too far from the adventures of Werner Herzog. From the first scene, showing a tapir being brutally killed and eaten, right up to the fantastic denouement, Apocalypto never lets up: a riveting tale of proud tribesmen being captured by a brutally efficient slavemaster attack-squad, then tied up and led to the capital: fresh meat for the 24/7 human sacrifice operation with its continuous waterfall of blood, maintained by a desperate oligarchy in order to propitiate the angry gods who are spoiling their crops. But the film radiates a kind of electric, shamanic craziness. And how about the link between this bizarre human sacrifice and Christianity itself? Does Gibson mean us to see it? Does he see it himself? What was Gibson thinking? Did he realise what he was doing? Did he realise what images and ideas he was invoking? Well, the director is certainly inviting us to sympathise with the captured and enslaved wretches, so it could be that this is the nearest he will ever come to some form of cinematically constituted apology.
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Like the rest of the film, the scene is brilliant for its sheer delirious excess, its brash, old-fashioned storytelling, and brash, new-fashioned violence. A young tribesman escapes slaughter but stumbles upon a racecourse-sized killing field for those who have not been so lucky. It has a spectacular human sacrifice scene, in which slaves are led in a veritable production line up the side of a gigantic pyramid, surrounded by crowds they are butchered at the apex by holy men, to the accompaniment of sinister didgeridoo-type humming, then pushed down the slope to hysterical cheers. Are you a Jew?"Īfter many grovelling apologies, Gibson has now released this, his new film, a historical action-adventure set in the 16th-century Mayan civilisation of South and Central America, featuring tribesmen with bones through their noses, speaking Mayan dialect with subtitles. Jews are responsible for all the wars in the world. Just in case we were in any doubt about his own views, in July last year Gibson got pulled over by a cop for driving under the influence of vino and promptly let rip with the veritas: "Fucking Jews. In 2004, Gibson made a very foolish and shallow film about Jesus, which seemed chillingly to endorse the Judeophobia of that traditional, reactionary Catholicism associated with his father, a notorious Holocaust denier. It is bizarre, stomach-turningly violent and frequently inspired.Ĭonsider the situation.
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Mel Gibson's Apocalypto is pathologically brilliant. So the sentence following this is going to take me quite some time to write, because between every keystroke, there will be a three-minute pause while I clench my fists up to my temples and emit a long growl of resentment and rage. Everyone is prejudiced against his films. I f people have got it in for Mel Gibson, he has only himself to blame.